Borobudur
and Merapi: What went on before?
Tuesday, June 13, 2006
Handewi
Soegiharto, Contributor, Jakarta
Mount Merapi has been the focus of much media attention recently
because of its heightened volcanic activity.
Much has been published on the volume of material contained in
the lava dome, the appearance of wedhus gembel (literally "shaggy
goats") or hot ash clouds, the evacuation of villagers and
also about the myths surrounding the mountain -- the legends believed
by the people living in villages on Merapi's slopes.
Maridjan, the spiritual "guardian" of Merapi, has suddenly
become an international his refusal to leave his village, located
about six kilometers from Merapi. Maridjan believes the volcanologists
are wrong -- that the signs he reads in the mountain show the
"big one" is not imminent this time.
Merapi, a volcano believed by geologists to have become active
40,000 years ago, is very much part of the local traditions for
the community living on its slopes.
Though Merapi is now at maximum-alert status, many villagers are
hesitant to leave their villages. They are concerned about their
dairy cows, their main source of income, and also believe that
the mountain is not as hazardous as people may think.
Merapi's eruptions are inextricably linked to Javanese history.
To explore Merapi also involves an exploration of Javanese culture,
its epigraphy and temples, including the huge Buddhist temple
at Borobudur.
It all started with a theory proposed in 1933 by Dutch anthropologist
WOJ Nieuwenkamp, who said that the temple was built on a hill
surrounded by a lake.
That then triggered the curiosity of a Dutch geologist, Reinout
Willem van Bemmelen, who carried out more research on the history
of the temple.
Concurring with Nieuwenkamp's theory, in the early 1950s, van
Bemmelen proposed that the eruption in 1006 resulted in the burial
of Borobudur temple and the ancient Mataram-Hindu kingdom, forcing
it to relocate to East Java.
But should Merapi be blamed for all this? Dr. Sri Mulyaningsih,
a geologist who wrote a dissertation for her doctorate degree
at Bandung Institute of Technology on the impact of Merapi eruptions
on the old temples at Yogyakarta, agrees with Nieuwenkamp's theory
but refutes van Bemmelen's.
"Borobudur is now located at the confluence of three rivers,
the Pabelan, Progo and Elo. My research shows that they contain
black clay deposits or sediments that could also be found at the
meeting point. It is therefore possible that, in the past, Borobudur
was surrounded by water," Sri says, adding that the body
of water was smaller than Lake Toba, North Sumatra, in its current
form, but larger than a fish pond.
The Nieuwenkamp water pond hypothesis is, however, refuted by
archaeologists. They cannot accept van Bemmelen's theory, either,
on ash covering the temple as a result of a huge explosion.
An archaeologist from the University of Indonesia's school of
humanities, Agus Arismunandar says, "The water pond theory
might be acceptable, as we have also found archaeological data
to corroborate it, but our research also indicates that the pond
had dried up a long time before the temple was even built."
The dried water pond that might have surrounded the temple has
not been debated further. Geologists could relate the existence
of the pond to the mythology of the floating lotus flower. "If
there was a water pond, Borobudur might look like a flower from
the air," Sri says.
A floating lotus flower is an Indian mythological concept that
symbolizes the idea that even in a "dirty" substance
like the soil, clean and beautiful things can grow. In today's
context, it could mean that even if the earth is full of bad people,
there is still hope for the good.
Prof. Nurhadi Magetsari, however, a University of Indonesia archaeologist
who is studying the relationship between the temple and Buddhism,
has found another reason to dismiss the lotus flower idea.
"Borobudur has an octagonal shape, not like a lotus flower,"
he said. The lotus shape does exist in the stupas, where Buddha
statues sit, but that is as far as the imagery goes.
Both the geologist and the archaeologist, however, have the same
opinion on the van Bemmelen theory.
Sri says the mountain could not have been covered by a single
serious eruption because none of the deposits in the soil surrounding
the volcano indicate a disturbance of that magnitude.
"Besides, there is no geological evidence that can prove
that the 1006 eruption did occur," she said. Van Bemmelen's
theory proposes that the eruption caused materials from the Merapi
dome to slide down to the southwest of Merapi forming Gendol Hill,
located to the southwest of the volcano.
"My research shows that not a single item of geological material
found in Gendol Hill is the same as that on Merapi," she
said.
Aris also has a riposte to van Bemmelen's theory. "From our
point of view, it is impossible that a big eruption could have
covered Borobudur, because the distance between the mountain and
the temple is so far.
"Besides, when Borobudur was found, it was only covered by
dirt and wild plants, not by lava sediment," he said. The
only sections of the temple that were fully covered were the rupadatu
(middle level) and the arupadatu (top level), while the ground
level was not.
Aris believed Borobudur was buried by dirt and covered in wild
plants because no religious activities were conducted on the temple
after Islam entered Java.
An essay written by Soekmono -- Serat Centhini Ungkap Masalah
Arca Buddha Dalam Stupa Induk Candi Borobudur (Serat Centhini
Uncovers the Secret of the Buddha Statue in the Main Stupa of
Borobudur Temple) -- issued by the National Archaeological Research
Center in Jakarta -- includes a complete description of the temple
in Serat Centhini.
Soekmono's explanation about verses eight and nine of Serat Centhini
says that four santri spent the night at Borobudur and carried
out observations for two consecutive days. The main stupa, they
said, containing an unfinished Buddha statue was located on the
seventh level of the temple, while the layout of the galleries
on the sixth, fifth and fourth floors was circular.
Today, the temple has one main stupa level, three circular gallery
levels (the three topmost) and six square gallery levels. The
total of the galleries plus the stupas is 10 levels.
Therefore, if the santri could see only the main stupa and three
circular gallery levels, it is possible that the six other (square)
levels were buried.
Soekmono concludes that this oversight was probably attributable
to the wild vegetation and soil that had covered most, but not
all, of the temple.
The most feasible explanation that answers the query as to why
the Syailendra dynasty built the Borobudur in its current location
comes from an archaeological point of view.
And
it all comes down to water, not a fiery volcano. Agus believes
the temple stands on an area of tempuran (the convergence of rivers).
"In Indian mythology, such a location would have been suitable
for constructing a religious building, because the Gods like to
live and play in water," Agus said. The statues of Buddhas
and Hindu deities usually sit or stand on "floating"
lotus flowers because of this water concept.
"So we have to see more than just the lotus flower but --
more deeply -- water," Agus said.
Despite all the theories, facts and figures, Mount Merapi stands
proud and has witnessed many Javanese generations come and go,
together with Borobudur, which is much younger than the mountain.