From
Ruins of Afghan Buddhas, a History Grows
Published:
December 6, 2006
A
huge empty niche now punctuates the majestic Bamiyan Valley of
Afghanistan where the giant western Buddha, one of two, once stood.
By
CARLOTTA GALL
Published: December 6, 2006
BAMIYAN, Afghanistan The empty niches that once held Bamiyans
colossal Buddhas now gape in the rock face a silent cry
at the terrible destruction wrought on this fabled valley and
its 1,500-year-old treasures, once the largest standing Buddha
statues in the world.
The
western Buddha as it stood from A.D. 554 until March 2001, when
it was destroyed by the Taliban. At 180 feet, it was the larger
of the two.
It
was in March 2001, when the Taliban and their sponsors in Al Qaeda
were at the zenith of their power in Afghanistan, that militiamen,
acting on an edict to take down the gods of the infidels,
laid explosives at the base and the shoulders of the two Buddhas
and blew them to pieces. To the outraged outside world, the act
encapsulated the horrors of the Islamic fundamentalist government.
Even Genghis Khan, who laid waste to this valleys towns
and population in the 13th century, had left the Buddhas standing.
Five
years after the Taliban were ousted from power, Bamiyans
Buddhist relics are once again the focus of debate: Is it possible
to restore the great Buddhas? And, if so, can the extraordinary
investment that would be required be justified in a country crippled
by poverty and a continued Taliban insurgency in the south and
that is, after all, overwhelmingly Muslim?
This
valley about 140 miles northwest of Kabul, where in the sixth
century tens of thousands of pilgrims flocked to worship at its
temples and monasteries and meditate in its rock caves, is attracting
new international attention.
In
2003, the United Nations designated the Bamiyan ruins a World
Heritage site, but also listed them as endangered, because of
their fragile condition, vulnerability to looters and pressures
from a post-Taliban boom in construction and tourism. Intensive
efforts have been under way to stabilize what remains of the cliff
sculptures and murals.
Meanwhile,
archaeologists have been taking advantage of the greatly increased
access that became possible once the statues were gone to make
new discoveries and to pursue ancient tales of a third
giant Buddha, possibly buried between the two that were destroyed.
The
history of Bamiyan is beginning to be revealed, in a concrete
sense, for the first time through both works of conservation and
excavations of archaeological remains, said Kasaku Maeda,
a Japanese historian who has studied Bamiyan for more than 40
years.
Unesco has been overseeing a program of emergency repairs to the
niches over the last few years, drawing teams of archaeologists
and conservationists from all over the world. The site is
in danger, said Masanori Nagaoka, a cultural program specialist
at Unescos Kabul office.
Gedeone
Tonoli, a tunnel engineer from Italy, has been overseeing the
most urgent task: securing the cracking cliff face. One morning
two Italian mountain climbers swung on ropes at the top of the
niche that held the eastern Buddha, which, at an astounding 125
feet tall, was the smaller of the two. Wire netting covered the
back wall of the niche, which still occasionally rattles with
falling rocks and stones. A great scar marks the inner left wall
where the explosion tore away the side of the niche, threatening
the whole cliff.
The
right side of the niche, however, has been stable for two years,
anchored with steel rods and tons of concrete pumped into the
fissures. Tiny glass slides are taped to the rock, and sensors
linked to a computer keep track of every tremble in the cliff
face. Before, Mr. Tonoli said, you could see the sky here
and birds were flying in.
At
the base of what, at 180 feet, had been the larger Buddha, workers
were still shoveling away at rubble left from the explosions.
German restorers from the International Council on Monuments and
Sites have spent two years carefully sorting through the debris
from both Buddhas, lifting out the largest sections by crane
some weigh 70, even 90 tons and placing them under cover,
because the soft stone disintegrates in rain or snow. The smaller
fragments and mounds of dust are carefully piled up at the side.
Reports
that the Taliban had taken away 40 truckloads of the stone from
the statues to sell were not true, said Edmund Melzl, a restorer.
From the volume we think we have everything, he said.
Yet only 60 percent of that volume is stone, he added. The rest
crumbled to dust in the explosions.
A
continuing paradox is that the destruction of the Buddhas has
in a way aided archaeologists in their investigations. For example,
carbon dating of fragments of the plaster surface of the Buddhas
was able to pinpoint the construction of the smaller one to 507,
and the larger one to 554. Previous estimates had varied over
200 years.
At the
Foot of Bamiyan
The Buddhas were only roughly carved in the rock, which was then
covered in a mud plaster mixed with straw and horsehair molded to
depict the folds of their robes and then painted in bright colors.
Workers have recovered nearly 3,000 pieces of the surface plaster,
some with traces of paint, as well as the wooden pegs and rope that
were laid across the bodies to hold the plaster to the statue. The
dryness of Afghanistans climate and the depth of the niches
helped protect the statues and preserve the wood and rope.
The
larger Buddha was painted carmine red and the smaller one was
multicolored, Mr. Melzl said.
The
most exciting find, he added, was a reliquary containing three
clay beads, a leaf, clay seals and parts of a Buddhist text written
on bark. The reliquary is thought to have been placed on the chest
of the larger Buddha and plastered over at the time of construction.
The
fragments have been carefully stored while the main task continues:
to gather all the rubble so that the Afghan government and experts
can decide what to do with it. There have been calls to rebuild
the Buddhas, mostly from Afghans who feel that restored statues
would provide a greater tourist attraction, and a righting of
wrongs. Unesco has warned that for Bamiyan to retain its status
as a World Heritage site there must be no new building, only preservation.
Yet the alternative of displaying 200 tons of recovered material
in a museum does not seem feasible, said Michael Petzet, president
of the International Council on Monuments and Sites.
The
one restoration approach considered acceptable by Unesco and other
experts is anastylosis, often used for Greek and Roman temples,
in which the original pieces are reassembled and held together
with a minimum of new material. Michael Urbat, a geologist from
the University of Cologne, has analyzed pieces of the larger Buddha
and from the rock strata has been able to work out what part of
the vast statue they came from.
But
reassembling pieces that can weigh up to 90 tons would be extremely
difficult; Afghanistan does not even have a crane strong enough
to hoist them, Mr. Melzl said. The reconstruction project, which
the governor of Bamiyan Province has estimated would cost $50
million, would probably also become a political issue in this
impoverished Muslim country, where more than 10 percent of the
population remains in need of food aid.
Nevertheless,
the provincial governor, Habiba Sarabi, favors rebuilding the
Buddhas using anastylosis, and said she would propose that the
central government make a formal request to Unesco. Professor
Maeda said he supports the idea of reassembling one of the Buddhas
and leaving the other destroyed as a testament to the crime.
The
government also approved the proposal of the Japanese artist Hiro
Yamagata to mount a $64 million sound-and-laser show starting
in 2009 that would project Buddha images at Bamiyan, powered by
hundreds of windmills that would also supply electricity to surrounding
residents.
Meanwhile,
simply preserving what remains is daunting. Once the niches, grottos
and caves were covered with murals, but 80 percent were obliterated
by the Taliban, Professor Maeda said. Art thieves also did damage,
using ropes to climb into caves 100 feet up on the cliff face
and hacking away priceless medallions depicting seated Buddhas.
One of them made its way to Tokyo, where an art dealer, suspecting
its illicit provenance, showed it to Professor Maeda, who has
managed to retrieve more than 40 stolen artifacts.
One
day I hope we will return them to Afghanistan, he said.
He
continues to scour the caves, and finds small joys amid the destruction.
One cave that he first discovered during his first trip here,
in 1964, so blackened by soot from camp fires that the Taliban
and looters passed it by, has revealed fine paintings of tiny
animals a lion and a wild boar, a monkey, an ox and a griffin
rare in Buddhist art, but characteristic of Bamiyan, which
combines Indian, Iranian and Gandharan influences.
While
the focus now is on conservation, experts know there is more to
discover. At least two teams of archaeologists are engaged in
a discreet race to discover a third colossal Buddha that may have
once lain between the two standing Buddhas.
The
Chinese monk Xuan Zang visited Bamiyan in 632 and described not
only the two big standing Buddhas, but also a temple some distance
from the royal palace that housed a reclining Buddha about 1,000
feet long. Most experts believe it lay above ground and was long
ago destroyed.
But
two archaeologists, Zemaryalai Tarzi of Afghanistan and Kazuya
Yamauchi of Japan, are busy digging in the hope of finding its
foundations. Mr. Tarzi, who excavated a Buddhist monastery this
year, may have also found the wall of the royal citadel that could
lead the way to the third Buddha. He plans to return next year
to continue digging.