High
soil salinity nearly ruins Kantaji temple
Hasibur Rahman Bilu, back from Dinajpur
Kantaji
temple in Dinajpur is on the verge of destruction as high salinity
in the soil beneath its foundation has been seeping through the
structure, damaging its beautiful terracotta embellishments by
a huge number.
The
wretched condition of this eighteenth-century marvel is mostly
caused by "absence of proper ma manpower due to fund shortage
of the department†in the last six years, said a senior
official of Department of Archaeology (DA).
M
Abdul Khaleque, regional director of DA, said a huge number of
terracotta panels have already been damaged by salinity -- especially
in the lower-southern section of the three-storied 51-foot square
ancient brick temple.
"Only
Tk 2 lakh is more than enough to save [the structure] from salinity,"
he added.
A
type of blotting paper or pulp is used to absorb salinity from
the terracotta panels, but it is a time consuming process, Khaleque
explained.
Also
known as Kantajio Mandir, this is one of the three nine-spired
or "Nava Ratna" temples built in the region in the eighteenth
century. It sits on the west bank of the river Dhapa, 14 km away
from Dinajpur town, Khaleque said adding, the temple was declared
a protected archaeological site in November 1960 by the then government
of Pakistan.
The
other two Nava Ratna temples were in Sirajganj -- Potajia temple
at Shajadpur upazila and Hatikumrul temple at Ullapara.
The
Potajia temple has already been destroyed due to high salinity
in the soil and sheer negligence of the DA. The Hatikumrul temple
is also heading towards the same fate for similar reasons, lamented
DA officials.
Khaleque,
the regional director of DA, told The Daily Star that the DA has
started the fortification work of the Hatikumrul temple at an
estimated cast of Tk 30 lakh. He, however, said fortification
of the Kantajio Mandir has not been planned yet.
Construction
the Kantaji temple started in 1722 AD by Maharaja Pran Nath. It
was completed in 1752 AD during the reign of his son Maharaja
Ramnath. It boasts one of the greatest examples on terracotta
architecture in Bangladesh. It once had nine ornamental spires
or nava-ratna (nine-jewel), but all were destroyed in an earthquake
that took place in 1897, according to Wikipedia.
This
magnificent pyramidal temple rose in three receding terraces and
was crowned with nine spires on the corners of the three terraces
that imparted it an appearance of a huge Ratha or an ornate chariot
resting on a high plinth. It was provided with arched openings
on all four sides in order to enable devotees to see the deity
enshrined inside from all directions.
Every
available inch of its wall surface from the base to the crest
of its three stories, both inside and out, pulsates with an amazing
profusion of figured and floral art in unbroken succession. The
vast array of subject matter include the stories of the Mahabharata
and the Ramayana, the exploits of Krishna, and a series of extremely
fascinating contemporary social scenes depicting the favourite
pastimes of the landed aristocracy. The astonishing profusion,
delicacy of modelling, and the beauty of its carefully integrated
friezes have seldom been surpassed by any mural art of its kind
in Bengal. [Source: Banglapedia]