The ageless tale of a Bhirrana
potsherd; dance as a hieroglyph
http://asi.nic.in/asi_exca_2007_bhirrana.asp Excavation site:
Bhirrana
http://asi.nic.in/asi_exca_2007_bhirrana_images.asp Images of
site and artefacts discovered
Why
is a 'dancing girl' glyph shown on a potsherd discovered at Bhirrana?
Dancers
are depicted as hieroglyphs on a tablet m0493 as shown below.
m0493Bt
Pict-93: Three dancing figures in a row.
Text 2843
Glyph:
Three dancers. Kolmo three; meD to dance
Rebus: kolami furnace, smithy; meD iron
Sign 44
(this glyph could be compared with the orthography of three dancers
in a row; the glyph is a ligature showing a 'dance step' and a
rimless pot). Glyphs: meD 'dance' (Remo); rebus: meD 'iron'; bat.a
'pot'; bat.hi 'furnace'.
So,
why a dancing girl? Because, depiction of a dance pose is a hieroglyph
to represent what was contained in the pot. The glyph encodes
the mleccha word for 'iron': med.
Glyph:
meD 'to dance' (F.)[reduplicated from me-]; me id. (M.) in Remo
(Munda)(Source: D. Stampe's Munda etyma)me??u to tread, trample,
crush under foot, tread or place the foot upon (Te.); me??u step
(Ga.); mettunga steps (Ga.). ma?ye to trample, tread (Malt.)(DEDR
5057)
Rebus: meD 'iron' (Mundari. Remo.)
Bhirrana
find; the potsherd with the engraving.
Photo: ASI sequence: The Dancing Girl statuette
made of bronze.
The
ageless tale a potsherd from Bhirrana tells
T.S.
Subramanian (The Hindu, 12 Sept. 2007)
CHENNAI:
In a rare discovery, the Archaeological Survey of India has found
at Bhirrana, a Harappan site in Fatehabad district in Haryana,
a red potsherd with an engraving that resembles the Dancing
Girl, the iconic bronze figurine of Mohenjodaro. While the
bronze was discovered in the early 1920s, the potsherd with the
engraving was discovered during excavations by the ASI in 2004-05.
A
few hundred kilometres separate Mohenjodaro, now in Pakistan,
and Bhirrana. The potsherd, discovered by a team led by L.S. Rao,
Superintending Archaeologist, Excavation Branch, ASI, Nagpur,
belonged to the Mature Harappan period. Mr. Rao called it the
only one of its kind because no parallel to
the Dancing Girl, in bronze or any other medium, was known
until the latest find.
In
an article in the latest issue of Man and Environment (Volume
XXXII, No.1, 2007), published by the Indian Society for Prehistoric
and Quaternary Studies, Pune, Mr. Rao says, ... the delineation
[of the lines in the potsher d] is so true to the stance, including
the disposition of the hands, of the bronze that it appears that
the craftsman of Bhirrana had first-hand knowledge of the former.
In
his article, Mr. Rao has said the bronze was justly known for
its stance and workmanship. With its tilted head, flexed
legs, right hand resting on the hip and the left suspended by
its side, the bronze sculpture, although nude, enjoys a modest
ornamentation with a necklace, wristlets and armlets. A statuette
of 11 cm in height, it occupies a unique position in the sculptural
art of the Mature Harappan period.
Mr.
Rao called the engraving on the potsherd a highly stylised
figure whose torso resembles that of an hour-glass or two triangles
meeting at their apex. Upon the horizontal shoulder line,
a partly damaged round head was visible. In consonance with the
bronze, here too, the right hand is akimbo, and the left
is suspended by its side. Slight oblique strokes on the right
upper arm are suggestive of the presence of armlets. The lower
portion of the body is missing owing to damage on the sherd. The
clothing is indicated by horizontal hatchings on the chest and
abdomen, and vertical hatchings on the thighs.
Mr.
Rao called Bhirrana an exemplary and paradigmatic
site that stood out on two more grounds. For the first time in
the post-Independence period, artefacts called Hakra ware, belonging
to the pre-early Harappan period, were found as independent, stratified
deposits at Bhirrana. This and other discoveries established the
presence of an unbroken cultural sequence at Bhirrana: from the
Hakra ware culture and its evolution into early Harappan, early
Mature Harappan and Mature Harappan until the site was abandoned.
The
discoveries of these periods include underground dwelling pits;
house-complexes on streets; a fortification wall; bichrome pottery;
terracotta cups; arrowheads, fish-hooks and bangles, all in copper;
incised copper celts; terracotta toy-carts and animal figurines;
and beads of semi-precious stones.
Seals
made of steatite of the Mature Harappan period were found. They
have animal figures such as a unicorn, a deer with wavy antlers,
a bull with outsized horns, and an animal with three heads
of a deer, a unicorn and a bull. The seals also have typical Harappan
legends on them. All these were found during excavations in 2003-04,
2004-05 and 2005-06.
Mr.
Rao and colleagues have written on their work in Puratattva (Nos.
34, 35 and 36), a bulletin of the Indian Archaeological Society.