Buddhist
Art of Gandhara
Min Bahadur Shakya
Director Nagarjuna Institute of Exact Methods, Nepal
I. Introduction: Historical Background
The ancient kingdom of Gandhara stretched across parts of present-day
Afghanistan and Pakistan. It denotes the region comprising the
modern district of Peshaver and Rawalpindi etc.Anguttara nikaya
mentions it as one of the sixteen Mahajanapada.
The river Indus divided the whole Gandhar region into two parts:
eastern and western.Taxila was the main city of Eastern Gandhara
and Puskalavati was the3 chief city of western Gandhara.Theentire
Gandhara was divided into seven parts:
They were:
1.Taxila
2.Pusklavati
3.Nagarahara
4.Swat valley( Uddyana)
5.Kapisa
6.Bamiyan
7. Balkh ( Bamiyan)
For a time, Gandhara also was a jewel of Buddhist civilization.
Scholars of Gandhara traveled east to India and China and were
influential in the development of early Mahayana Buddhism. The
art of Gandhara included the earliest oil paintings known in human
history and the first -- and some of the most beautiful -- depictions
of bodhisattvas and the Buddha in human form.
During the 2nd century B.C., it was here that Buddhism was adopted
as the state religion which flourished and prevailed here for
over 1000 years, starting from 2nd century B.C., until 10th century
A.D.
During this time Taxila, Swat and Charsaddah (old Pushkalavati)
became three important centers for culture, trade and learning.
Hundreds of monasteries and stupas were built together with Greek
and Kushan towns such as Sirkap and Sirsukh both in Taxila.
It was from these centers that a unique art of sculpture originated
which is known as Gandhara Art all over the world.
The Gandhara art played an important role in the dissemination
of the Buddhas image throughout Asia. It was from Gandhara
that Buddhism, at the beginning of Christian era, began triumphal
progress across Central Asia to the Far East.
In Gandhara, Buddhist faith and Greek Culture met and intermingled,
resulting in the peculiar hybrid art which is called Graeco-Buddhist.
It became popular in the regions of Afganistan and Taxila.
II. The Significance of Gandharan Art
Nearly 2,000 years ago, artists of Gandhara began to sculpt and
paint the Buddha in ways that have influenced Buddhist art ever
since. Earlier Buddhist art did not depict the Buddha. Instead,
he was represented by a symbol or an empty space. But Gandharan
artists pictured the Buddha as a human being.
In a style influenced by Greek and Roman art, Gandharan artists
sculpted and painted the Buddha in realistic detail.
1. His face was serene.
2. His hands were posed in symbolic gestures.
3. His hair was short, curled and knotted at the top.
4. His robe was gracefully draped and folded.
5. It reveals the impact of Hellenistic influence. Form is strongly
Hellenistic while matter is yet Indian.
6. Artistic effects are evidently Buddhistic icons, legends and
monuments together with their motifs .
7.Ancient motifs such as atlantes, fantastic creatures, griffons,
fauna and flora of India, new motif of vine , acantus, cupids,
garlands
8. New elements of hippocampus,triton,marine divinities, gods
of Olympus
9. It reveals the impression of the Imperial Roman styles especially
thick folded draperies.
10. Another contribution is the figure of Bodhisattva.
11. The artist worked in stone, stucco, terracotta and clay, polychrome
and gold.
12. Abundance of images of Hariti, Pancika
13. Seductively beautiful women
14. Highly ornate crowns
15. Masses of jewelry
These conventions spread throughout Asia and are found in depictions
of the Buddha to this day.
(Speech made by the author March 11, 2010)
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