Saving
the crumbling palaces of Nagaur
A
neglected fort in north-west India is being restored to
its former glory with help from the Getty and other foundations
By
Georgina Adam | From Conservation | Posted: 10.3.08
NAGAUR,
INDIA. It is rare for the Getty to give more than one grant
to the same restoration project. But a fort in Nagaur, Rajasthan,
has recently received its fourth award from the California
institution. The latest grant is allowing research and conservation
to be carried out on a fragile group of wall paintings in
the desert fortress.
Ahichhatragarh,
or Fort of the Hooded Cobra, is one of the oldest
intact architectural sites in India. Sited on the edge of
the great Thar desert, some 100 miles from Jodhpur and close
to the Pakistani border, the forts days of glory were
in the 16th, 17th and 18th centuries. Nagaur was an important
trading post, and a succession of Muslim and Hindu rulers
built sandstone palaces in the fort, adorning them with
delicate wall paintings and classic Rajput and Mughal gardens.
Elaborate
engineering ensured that water was not wasted, and in case
of attack a years supply of water could be stored.
But by the late 1980s the site was sad, forlorn and
desolate, in the words of H.H. the Maharajah of Jodhpur,
Gaj Singh II, who inherited Ahichhatragarh in 1952.
It
had been occupied by Indias Border Security Forces
(BSF) after the 1947 partition of India and Pakistan. The
BSF sub-divided rooms, left inscriptions on the walls and
plastered over the graceful paintings. Debris accumulated
in the spacious courtyards; walls crumbled while the massive
two-tiered wall that completely enclosed the 35-acre site
was severely dilapidated.
Financial
aid
The
fort has gradually been restored to its former glory with
the support of four grants from the Getty, two from the
British-based Helen Hamlyn Trust, and contributions from
the Maharajahs charity and the Mehrangarh Museum Trust
(MMT), among others. Because of the scale of Nagaur, with
its four main palaces and 50 other buildings, the Getty
has treated it as more than one structure, thus entitling
it to multiple awards. It has given a total of $750,000,
with $200,000 being used to conserve the wall paintings.
The Hamlyn Trust has granted $428,200, part of which funded
the initial study of the paintings.
The
paintings and embedded mirror decorations in the elegant,
one-storey Sheesh Mahal, the Palace of Mirrors,
which probably dates from the early 18th century, are the
most endangered due to water damage and salt deposits. Work
has now started, in a joint partnership with the wall painting
department of the Courtauld Institute in London and MMT
(which manages the fort). Research will be carried out on
the subjects depicted in the paintings to determine when
and by whom the works were commissioned.
In
2004 the site won the Unesco-Asia Pacific Award of Excellence
for Cultural Heritage Conservation, for its combination
of modern scientific techniques with traditional building
practices. As part of the project, architectural and conservation
students, stonemasons, and artisans received on-site training
in traditional building procedures. The aim of the Nagaur
project is to enable other Indian conservators to be trained
more fully in wall painting research.
Water
seepage
Courtauld
Institute conservator Charlotte Martin de Fonjaudran explains
that the team is currently trying to establish the mechanisms
of deterioration of paintings in the Sheesh Mahal. There
has been water infiltration, part of the vault has collapsed
and paint is flaking off. The main problem, she says, is
salt efflorescence, a build up of salt deposits, and the
team is monitoring changes in humidity in the building.
The aim is to complete the investigation and conservation
of these paintings, and others, by 2010.
As
for the buildings, conservation of the structures has been
overseen since 1993 by architect Minakshi Jain. We
are preparing this architectural monument for future generations,
she says, noting that work on one of the unique aspects
of the fort is almost complete. This is the elaborate system
that recycled water.
Aqueducts
run along the tops of the walls to bring water into the
palaces, where it flowed in sculpted floor channels through
reception rooms as well as into the hamman (steam bath).
Now all the waterworks have been repaired, including the
courtyard fountains.
And
thanks to the Hamlyn Trust, visitors can even stay in the
fort. The Ranvas, the queens rooms in the zenana (harem),
have been converted into accommodation for paying guests,
helping towards the sustainability of the whole project.